Impressive and exasperating in its determination to squeeze every previous iteration of this story into one huge glimmering ...

It feels like another product of a streaming company’s mandate to boost their “hours watched” stats instead of a length that has been considered right for the story that’s being told.

Chicago, IL – Acclaimed film critic Richard Roeper is joining RogerEbert.com as a regular contributor. Roeper will bring his deep knowledge of film and television to the site, with his first piece ...

The series buckles under the weight of the novel it's adapted from, shackling Biel to its restrictive formula and unfolding ...

Chaz Ebert reveals the winners of the 78th edition of the Cannes Film Festival; watch the video and read the transcript below.

Tom Quinn and Neon have accomplished something that even Miramax couldn’t in its prime of the late ‘80s and early ‘90s, when ...

On three very different Cannes films, including the latest from the director of The Climb, starring Adria Arjona.

Similar to Coen’s other films, “Honey Don’t!”, which he co-wrote with his wife Tricia Cooke as the second installment of ...

Cannes has often prided itself on not making overt political statements. But the wars waging in Gaza and Ukraine were felt ...

All of this makes FX’s “Adults” feel almost like a throwback, a show that recalls the big city energy of Ross & Rachel but with a dark, modern sense of humor built around things that Joey could never ...

It’s interesting that lately, for most of this century, the really good teen movies have had women writers or directors: Tina ...

The title of Kelly Reichardt ’s “The Mastermind, ” the last film to premiere in competition at Cannes this year, only gets ...