All of this makes FX’s “Adults” feel almost like a throwback, a show that recalls the big city energy of Ross & Rachel but with a dark, modern sense of humor built around things that Joey could never ...

Tom Quinn and Neon have accomplished something that even Miramax couldn’t in its prime of the late ‘80s and early ‘90s, when ...

Cannes has often prided itself on not making overt political statements. But the wars waging in Gaza and Ukraine were felt ...

Jafar Panahi’s “It Was Just an Accident,” a Death and the Maiden –like drama about a group of Iranians confronting a man whom ...

It’s interesting that lately, for most of this century, the really good teen movies have had women writers or directors: Tina ...

On three very different Cannes films, including the latest from the director of The Climb, starring Adria Arjona.

Similar to Coen’s other films, “Honey Don’t!”, which he co-wrote with his wife Tricia Cooke as the second installment of ...

Oliver Laxe’s Cannes award winner of the Jury Prize (basically third place) takes its name from the Islamic bridge that ...

The title of Kelly Reichardt ’s “The Mastermind, ” the last film to premiere in competition at Cannes this year, only gets ...

Publisher and Editor Chaz Ebert and a team including Managing Editor Brian Tallerico, Scott Dummler, Robert Daniels, Isaac ...

The Israeli director won the top prize at Berlin in 2019 for “Synonyms” and made his Cannes competition debut with “Ahed’s ...

The filmmaker talks about his longstanding friendship with Tim Robinson, building comedy out of male emptiness, and more.